CE Subject Index

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Rabelais
- and Othello 32 13-35
Racism
- in The Jew of Malta 27 17-26
Radigund
- `Mirrours more then one': Marriage and the Body Politic in The Fairy Queene 45 1-12
Realism
- The Question of Place 50 33-43
Rebellion
- r. and Shakespeare's 2 Henry VI 33 13-22
Rebirth
- death and rebirth in Macbeth and The Winter's Tale 21 35-48
Reception
- Ludwig Tieck as the Champion of Shakespeare's Apocrypha in Germany 48 45-51
Reformation
- and the decline of anti-Judaism 26 3-13
- Malvolio's Dark Concupiscence 43 1-11
Religion
- The Integrated Design of Dr Faustus: An Essay in Iconoclasm 41 1-16
Religious Discourse
- `I find myself vnparadis'd': The Integrity of Daniel's Delia 48 1-15
Religious Poetry
- versions of Psalm 130 by George Gascoigne and Mary Sidney 36 1-9
Repetition
Restoration
- the misadventures of Julius Cæsar under the R. 24 33-45
Restoration Drama
- All for Love 36 49-71
Resurrection
- death and rebirth in Macbeth and The Winter's Tale 21 35-48
- death and r. (folk customs in The Merry Wives of Windsor) 27 27-41
Revels
- Marriage and Masque in Middleton's Women Beware Women 42 49-55
Revenge Tragedy
- archetypes of horror and cruelty in Elizabethan r. t. 19 9-25
- "Had his estate been fellow to his mind": Ironic Stategies in The Revenger's Tragedy 42 37-48
Rhetoric
- in Chapman's An Humourous Day's Mirth 32 3-11
- r. and influence on Marlowe of Petrarch's Il Canzoniere (Part II) 2913-25
- rhetorical analysis of Gascoigne's & Mary Sidney's versions of Psalm 13036 1-9
- r. of the emblem and the stage compared 29 39-51
- stage r. 33 47-51
- r. versus r.: Shakespeare's Julius Cæsar III.2 5 25-65
- in Shakespeare's Richard III 37 59-68
- r. of denial in Timon of Athens 9 29-40
- Playing on Things as Well as Words: Antanaclasis on Screen and Stage 42 57-64
- Prophecy, Casuistry, and Epideictic in Marvell's `Upon Appleton House' 44 33-43
- Lines, Circles, Letters, and Characters: The Conjuration of Tragedy 47 1-8
Rhythm
- the r. and prosody of seven songs from Purcell's King Arthur 30 59-70
- Interruptions in The Tempest 45 47-58
Riche, Barnabe
- Determining Displacements in the Farewell to Military Profession of Barnabe Riche 44 1-8
Rime
Ritual
- ritual and folk customs in The Merry Wives of Windsor 27 27-41
- pagan r., Christian liturgy, and folk customs in The Winter's Tale 22 25-33
- Marriage and Masque in Middleton's Women Beware Women 42 49-55
- Hamlet's Hobby-Horse 45 33-45
- Latin
  - `By the Mass, our hearts are in the trim': C. and British Identity in Olivier's Henry V 47 55-70
- A Brute Part: Julius Cæsar and the Rites of Violence 50 19-32
Robin Hood
- and the Elizabethans (a Propagandist note) 22 87-91
- and episcopal propaganda 29 83-6
Rochester, Earl of (see Wilmot, John)
Romances
- love letters in romance and comedy: rise and fall of an Elizabethan fashion (and see Prose) 30 35-47
Romances
- Determining Displacements in the Farewell to Military Profession of Barnabe Riche 44 1-8
- Redeeming The Tempest: Romance and Politics 49 23-38
Rome
- `Death or Liberty': the fashion in shrouds [in Julius Caesar] 38 25-40
Rowe, George
- Thomas Middleton and the New Comedy Tradition 39 41-6
Rowley, Samuel
- When You See Me, You Know Me,
  - what Shakespeare saw in 23 47-59
  - Rowley's When You See Me You Know Me: Political Drama in Transition 47 71-8
- The Changeling
  - the confined world of 39 47-55
Royal Shakespeare Company
- RSC and play openings 33 47-51
- 1987 production of Merchant of Venice, dir. Bill Alexander 34 53-60
- Scrutiny of a Mask: a detailed account of Shakespeare's Troilus and Cressida as staged and performed by the RSC at the Swan Theatre, Stratford-upon-Avon, 23 April 1990 39 57-70
- A detailed account of Hamlet, directed by Adrian Noble, as staged and performed by the RSC in London and Stratford-upon-Avon, 1992-93 44 67-74
- The Question of Place 50 33-43
Royalty
- R. motif (disguised)
  - Acting the Self: John Ford's Perkin Warbeck and the Politics of Imposture 48 31-6

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Sacrifice
- `Death or Liberty': the fashion in shrouds [in Julius Caesar] 38 25-40
Said, Edward
- The Elizabethans and the Turk at Constantinople 47 29-42
Saint Martin (feast of)
- Get a New Man: Caliban's Song and Autumnal Hiring Customs 43 57-60
Satire
- A Chaste Maid in Cheapside and Women Beware Women: feminism, anti-feminism, and the limitations of satire 39 29-39
- two Jonsonian neologisms 38 65-8
- and Nashe's The Anatomy of Absurditie 37 17-26
- Shakespeare's use of the dramatic language of the satirists of the 1590s and the social function of the art of satire in Timon of Athens 34 61-78
- The Integrated Design of Dr Faustus: An Essay in Iconoclasm 41 1-16
- Shakespeare's Henry V: Towards the Problem Play 4217-35
Saturnalia
- Staging Modernity: Chapman, Jonson, and the Decline from the Golden Age 47 9-27
Scholarship
- recent s. in Italy 15 97-9
Science
- and imagination 36 49-71
Seasons
- `That day are you free': The Shoemakers Holiday 38 49-60
Sects
- lower class religious s. and marriage 32 69-73
Self-fashioning
- Titus Andronicus: Models of Textuality and Authorship 41 17-32
Semiotics
- a play of textual inscriptions and proper nouns 38 1-8
- Titus Andronicus: Models of Textuality and Authorship 41 17-32
Seneca
- Senecan sources of A Midsummer Night's Dream 25 37-51
Set (stage)
- Playing on Things as Well as Words: Antanaclasis on Screen and Stage 42 57-64
Setting
- the confined world of The Changeling 39 47-55
- symbolic physical s. in Drayton's Englands Heroicall Epistles 3331-45
Sex
- `O trespass sweetly urged': The Sex of Space in Romeo and Juliet 4939-49
Shadwell, Thomas
- The Virtuoso 40 93-7
Shakespeare, John and Mary
- the Aston Cantlow Mortgage 17 21-41
Shakespeare, William
- the art of antiquity in works by Lyly and Shakespeare 24 3-15
- S. and his audiences 11 31-53
- cannibalism in S.'s imagery 19 27-37
- and cause as a theme in the Histories 36 25-35
- S.'s influence on J. Arden's Serjeant Musgrave's Dance 17 77-81
- S.s influence on Dryden's All for Love 36 49-71
- S.'s influence on Moby-Dick 13 41-8
- love letters in S.'s romantic comedies: an Elizabethan fashion 30 35-47
- S. in performance in Provence and Languedoc (summer 78) 15 81-5
- S.'s utopia and sexuality 32 69-73
- repetition, revision, and editorial greed in S.'s play texts 34 25-38
- romantic views on marriage in S. 32 69-73
- women in S. 32 69-73
- All's Well
  - love and madness in AW and other plays 27 85-7
  - morality types in AW and Marston's The Dutch Courtesan 2553-9
- Antony and Cleopatra
  - Cleopatra and Milton's Dalila 12 69-70
  - the director's response to AC 16 59-68
  - AC, an Ovidian Tragedy? 40 73-7
  - handling of time and space data in AC 13 61-7
  - its three-stage tragic structure 13 69-73
- As You Like It
  - the dance in, and in Twelfth Night 13 25-34
  - Ovidian transformations and folk festivities in MND, MWW and AYLI 25 23-36
  - in performance and myth 11 55-62
  - structural study and the pastoral 18 73-8
  - the tyrant duke of AYLI 34 39-51
  - Love's Labour's Lost and Won: The Case for As You Like It 44 9-21
- Cymbeline
  - Ovid, Pettie, and the Mythic Foundation of Cymbeline 46 59-70
- Hamlet
  - dramatic form, cosmic perspective and alienation 27 1-16
  - Hamlet, man of the theatre 28 37-44
  - a re-examination of the genesis and fate of the ghost in H. 35 15-25
  - and the Protestant view on ghosts 1 25-40
  - and the rhetoric of emblems and the stage 29 39-51
  - the sickness imagery in 24 27-32
  - time and the hero 7 25-41
  - Particle Physics: An-Atomization of a Performance 44 53-66
  - A detailed account of Hamlet, directed by Adrian Noble, as staged and performed by the RSC in London and Stratford-upon-Avon, 1992-93 44 67-74
  - Memory in Shakespeare 45 59-64
  - Hamlet's Hobby-Horse 45 33-45
- 1 Henry IV
  - Hal's crisis of timing 13 15-23
  - Gadshill's question in 23 99-103
  - Misconstruction in 37 43-57
- 1 and 2 Henry IV
  - the pragmatics of politics: casting in Henry IV and HenryV 38 9-24
  - the synthesis of discourse and themes in 37 27-42
- 2 Henry IV
  - Memory in Shakespeare 45 59-64
- Henry V
  - II.3 10 65-6
  - and Anne of Denmark 29 77-81
  - the pragmatics of politics: casting in Henry IV and Henry V 389-24
  - date of composition 29 77-81
  - Falstaff's death in 27 83
  - and the Globe 29 77-81
  - and the Irish Wars 29 77-81
  - and Capt. Jamy 29 77-81
  - Henry's politics of non-responsibility 17 11-20
  - structural craft and dramatic technique 7 51-67
  - a table of greene fields 33 53-5
  - Shakespeare's Henry V: Towards the Problem Play 42 17-35
  - Memory in Shakespeare 45 59-64
  - The Mirror of a King: The Earl of Orrery and Shakespeare on King Henry V 45 65-75
  - The Elizabethans and the Turk at Constantinople 47 29-42
  - `By the Mass, our hearts are in the trim': Catholicism and British Identity in Olivier's Henry V 47 55-70
  - Five-act Structure and the Choruses in Henry V 50 11-17
  - (film, 1944)
    - `By the Mass, our hearts are in the trim': C. and British Identity in Olivier's Henry V 47 55-70
- 2 Henry VI
  - rebellion and class consciousness 33 13-22
- Henry VIII
  - fashioning Henry VIII (and Rowley's play) 23 47-59
- Julius Cæsar
  - the misadventures of Julius Caesar under the Restoration 2433-45
  - philosophic background 5 66-92
  - play structure and dramatic technique 5 93-106
  - III.2, rhetoric in 5 25-65
  - `Death or Liberty': the fashion in shrouds 38 25-40
  - sources 4 15-49
  - Memory in Shakespeare 45 59-64
  - A Brute Part: Julius Cæsar and the Rites of Violence 50 19-32
- King Lear
  - analysis of the `conflated' Lear text 20 71-82
  - Lear and Cordelia 40 11-20
  - dramatic form, cosmic perspective and alienation 27 1-16
  - imagination and image types 9 9-28
  - influence of Dr Faustus on 29 27-37
  - Lear's map 30 17-33
  - King Lear and the Legacy of Dramatic Catastrophe 48 17-30
- Love's Labour's Lost
  - Love's Labour's Lost and Won: The Case for As You Like It 44 9-21
- Macbeth
  - death and rebirth in M. and WT 21 35-48
  - influence of Dr Faustus on 29 27-37
  - excommunication ritual 12 65-8
  - Machiavellism in 14 9-22
  - magic in M. 35 59-84
  - sonship and fatherhood in Macbeth 35 47-58
  - symbolic patterns 6 15-22
  - time and the hero 7 25-41
  - M., or the symbol of ineluctability 38 41-8
  - Macbeth: Œdipus Transposed 43 21-33
  - The Significance of Rime in Shakespeare's Plays: The Example of Macbeth 43 13-20
- Measure for Measure
  - the anagogy of 16 19-26
  - copiousness and cutting in 15 65-7
  - II.3.40-2: a crux in 37 69-72
  - and Sir Wm Davenant's The Law Against Lovers 6 27-43
  - onomastics in 15 69-72
  - Socratic irony and the deus ex machina in 15 69-72
  - a source for Angelo's demand 15 69-72
  - some textual remarks: I.1.6-8; I.2.112; II.2.170-2; II.4.16-17; II.4.80; II.4.123-9; III.1.34-6 15 57-64
  - Medlars and Meddlers: John Davies's The Scourge of Folly and another look at Rosaline's open et cetera 46 71-3
  - `I find myself vnparadis'd': The Integrity of Daniel's Delia 48 1-15
- The Merchant of Venice
  - Belmont and the Monte di Pieta 18 69-70
  - interpreting the MV 39 1-16
  - MV's doom 34 53-60
  - St Paul's doctrine of justification by faith and Portia's strategy in 34 53-60
  - Shylock's conversion 26 15-27
  - Shakespeare's The Merchant of Venice: From Tyre to London 46 23-58
- The Merry Wives of Windsor
  - Ovidian transformations and folk festivities in MND, MWWand AYLI 25 23-36
  - ritual and folk customs in 27 27-41
- A Midsummer Night's Dream
  - Demetrius's vile name 10 67-8
  - myth in 18 17-27
  - Ovidian transformations and folk festivities in MND, MWW andAYLI 25 23-36
  - Senecan sources of 25 37-51
  - `Ten little fabulae': Ovidian tales of love and metamorphosis in A Midsummer Night's Dream 45 21-31
  - Shakespeare's Henry V: Towards the Problem Play 4217-35
- Othello
  - weak function of Othello 7 43-50
  - O. and the Apologia of Apuleius 21 27-33
  - Othello's marriage is consummated 34 79-82
  - O. and popular traditions 32 13-35
  - sword dance and O. 33 57-8
- Pericles
  - the director's response to 16 59-68
- Richard II
  - the garden metaphor and Thomas Lodge 8 76-8
  - and the myth of the Fisher King 30 75-8
  - time and the hero 7 25-41
- Richard III
  - conflicting paradigms and progress of persuasion in 37 59-68
- Romeo and Juliet
  - and Otway's Caius Marius 6 3-7
  - `Tis Pity She's a Whore and Romeo and Juliet 20 49-70
  - Medlars and Meddlers: John Davies's The Scourge of Folly and another look at Rosaline's open et cetera 46 71-3
  - `I find myself vnparadis'd': The Integrity of Daniel's Delia 48 1-15
  - `O trespass sweetly urged': The Sex of Space in Romeo and Juliet 49
- Poems
  - The Rape of Lucrece
    - Shakespeare's Lucrece as Chaste Bee 49 51-7
- Sonnets
  - Sonnets 21, 23, and 25, essays in definition 22 3-14
  - Sonnets 36 and 96, attitude towards the friend, and polysemantic phrasing 9 55-8
  - You, Thou, He or She: the master-mistress 19 73-84
  - a play of textual inscriptions and proper nouns 38 1-8
  - Sonnet 30
    - Memory in Shakespeare 45 59-64
    - Truth and Decay in Shakespeare's Sonnets 47 43-53
- The Tempest
  - W.H. Auden's assessment of 11 73-83
  - symbolism of Ariel's masques 19 53-71
  - and Jonson's Hymenaei 26 29-39
  - on tour 40 31-6
  - Get a New Man: Caliban's Song and Autumnal Hiring Customs 43 57-60
  - On Caliban's Nature 43 35-42
  - Memory in Shakespeare 45 59-64
  - Interruptions in The Tempest 45 47-58
  - Redeeming The Tempest: Romance and Politics 49 23-38
- Timon of Athens
  - the rhetoric of denial 9 29-40
  - dramatic structure of TA 34 61-78
  - an experiment in analysing the social function of the art of satire 3461-78
- Titus Andronicus
  - an experiment in expression 31 1-9
  - Titus Andronicus: Models of Textuality and Authorship 41 17-32
- Troilus and Cressida
  - influence of Dr Faustus on 29 27-37
  - the love plot and Chaucer's Troilus and Criseyde 11 1-15
  - Scrutiny of a Mask: a detailed account of TC as staged and performed by the RSC at The Swan, Stratford-upon-Avon, 23 April 1990 39 57-70
- Twelfth Night
  - the dance in TN, and in As You Like It 13 25-34
  - love and madness in All's Well, TN and other plays 27 85-7
  - Purcell in Illyria 50 57-67
  - Malvolio's Dark Concupiscence 43 1-11
- The Winter's Tale
  - death and rebirth in Macbeth and WT 21 35-48
  - feasts and festivity 6 8-14
  - medical theories, sight and vision in WT 23 35-46
  - pagan ritual, Christian liturgy, and folk customs in WT 22 25-33
  - Words read--words said. So, so. (II.3.129) 40 21-30
  - The `Death' of Hermione: Tragicomic Dramaturgy in The Winter's Tale 43 43-56
- Venus and Adonis
  - representational strife in 36 37-47
- All Their Yesterdays: A Note on the Alleged Contemporariness of War and Violence in Shakespeare 50 49-50
- S.'s Apocrypha
  - Ludwig Tieck as the Champion of Shakespeare's Apocrypha in Germany 48 45-51
  - Shakespeare's Biography and the Media 50 45-8
  - By Any Other Word? 41 33-8
  - `Else my project fails':Applause and the Authority of Shakespeare's Texts 44 23-31
- S. in Germany
  - Shakespeare's German Players 50 53-6
- S. and Paul of Tarsus
  - Shakespeare's The Merchant of Venice: From Tyre to London 46 23-58
- S. Theatre, The (theatrical company)
  - Particle Physics: An-Atomization of a Performance 44 53-66
  - The Question of Place 50 33-43
  - Venus and Mars: The Relationship of Love and War in Shakespeare 46 9-21
- Folios
  - Who Called F1 Best First? A Note on Shakespeare's First Folio in the 18th Century 47 87-92
Sherley, the S. family
- The Elizabethans and the Turk at Constantinople 47 29-42
Shirley, James
- The Triumph of Peace parodied in The Tragedy of the Cruell Warre15 77-80
Shore, Jane
- Shore's wife and The Shoemakers Holiday 39 17-28
Shore, Matthew
- Shore's wife and The Shoemakers Holiday 39 17-28
Shrovetide
- `That day are you free': The Shoemakers Holiday 38 49-60
Shylock
- S.'s conversion 26 15-27
Sickness
- the s. imagery in Hamlet 24 27-32
- s. and physic in plays by Middleton and Webster 26 41-78
Sidney, Mary
- M.S.'s version of Psalm 130 36 1-9
Sidney, Sir Philip
- and scholarship 15 87-95
- `I find myself vnparadis'd': The Integrity of Daniel's Delia 48 1-15
Smith, Richard Penn
- `revival' of Otway's History and Fall of Caius Marius 6 3-7
Society
- the Hobbesian Commonwealth 30 49-58
- Jacobean
  - Dangerous American Substances in Jacobean England 46 1-7
Song
- authenticity of songs in Lyly's plays 30 73-5
- London and country cries 8 31-63
- songs in The Bugbears by John Jeffere 21 13-26
- seven songs from Purcell's King Arthur: rhythm and prosody, the collaboration with Dryden 30 59-70
- Get a New Man: Caliban's Song and Autumnal Hiring Customs 43 57-60
Sonnet
- `I find myself vnparadis'd': The Integrity of Daniel's Delia 48 1-15
Sonnet sequences
- You, Thou, He or She: the master-mistress in Shakespearian and Elizabethan s.s. 19 73-84
- influence of Petrarch's Il Canzoniere (Part II) on Marlowe 29 13-25
- `I find myself vnparadis'd': The Integrity of Daniel's Delia 48 1-15
Source criticism
- Antony and Cleopatra: an Ovidian Tragedy? 40 73-7
- Chapman's Ovids Banquet of Sence 31 37-43
- Cicero's De Amicitia and Richard Edwards' Damon and Pithias 3071-2
- J. Hall's Mundus alter et idem as source for Slawkenbergius in Sterne's Tristram Shandy 30 79-80
- `Upon Julia's Clothes' by R. Herrick 28 73-6
- Lavater's treatise On Ghosts... and Hamlet 1 25-40
- Lear's map (Leir and Lear; Noah and Lear) 30 17-33
- Marlowe's Dr Faustus and the later Shakespeare 29 27-37
- Marlowe's Petrarch 29 13-25
- Morality plays as the source of the Redcrosse Knight's encounter with Despair (Spenser's FQ, I, ix) 30 1-15
- North's Plutarch and Shakespeare's Julius Cæsar (a chronologicalcatalogue of Shakespeare's borrowings) 4 15-49
- Plutarch's Lives as a source for Damon's speech on friendship in Richard Edwards' Damon and Pithias 30 71-2
- G. Gascoigne's and Mary Sidney's versions of Psalm 130 36 1-9
- Mars and the Carthaginians (Dr Faustus, Prologue, line 2) 38 41-8
- Ovid, Pettie, and the Mythic Foundation of Cymbeline 46 59-70
Sovereignty
- and the Hobbesian Commonwealth 30 49-58
- spacial and temporal variety in Milton's Paradise Lost 8 75
Space
- `O trespass sweetly urged': The Sex of Space in Romeo and Juliet 49
Spectacle
- The Carnival Body in Arden of Faversham 45 13-20
Spenser, Edmund
- Amoretti
  - poetic decorum in 25 9-21
- The Faerie Queene
  - blazonings in 23 1-14
  - Book I, the poet in the narrator's tale 12 21-43
  - the Redcrosse Knight's encounter with Despair in 30 1-15
  - Book III, the Queen's two bodies: Britomart and The FQ 2011-33
  - Book VI: Death as the mother of Beauty 16 3-17
  - and Gabriel Harvey 31 59-61
  - `Mirrours more then one': Marriage and the Body Politic in The Fairy Queene 45 1-12
- The Shepheardes Calendar
  - fox and wolf imagery and episcopal propaganda 29 83-6
  - the importance of November: structural analysis 20 35-48
Spenser, John
- author of A Discourse Concerning Prodigies 36 49-71
Sprat, Thomas
- author of History of the Royal Society 36 49-71
Stage
- s. business: influence of Marlowe's Dr Faustus on the later Shakespeare29 27-37
- s. tableaux and emblems 9 9-28
Stagecraft
- and the strategy of emblems compared 29 39-51
- (17th century): The Tempest on tour 40 31-6
- Shakespeare's Titus Andronicus: an experiment in expression 31 1-9
- The Question of Place 50 33-43
Staging
- s. of Chester Mystery Cycle, July 1987 34 1-9
- (17th century): The Tempest on tour 40 31-6
- Words read--words said. So, so. (WT, II.3.129) 40 21-30
- of Chester Mysteries, Chester 1992 42 65-71
- All Their Yesterdays: A Note on the Alleged Contemporariness of War and Violence in Shakespeare 50 49-50
Steevens, George
- Who Called F1 Best First? A Note on Shakespeare's First Folio in the 18th Century 47 87-92
Sterne, Laurence
- Tristram Shandy Slawkenbergius and Joseph Hall 30 79-80
Strolling Players
- The Tempest on tour 40 31-6
Structural Analysis
- `That day are you free': The Shoemakers Holiday 38 49-60
Structure
- in Shakespeare's Richard III, Act I 37 59-68
- dramatic s. in the confined world of The Changeling 39 47-55
- Five-act Structure and the Choruses in Henry V 50 11-17
Suicide
- `Death or Liberty': the fashion in shrouds [in Julius Caesar] 38 25-40
Swan Theatre, Stratford-upon-Avon
- Scrutiny of a Mask: a detailed account of Shakespeare's Troilus and
- Cressida as staged and performed by the RSC at The Swan, 23 April 1990 39 57-70
Swine
- and magic in Macbeth 35 59-84
Sword
- circle, s., and the futile quest in Webster's Duchess of Malfi 2753-66
- s. dance and Othello 33 57-8
Symbol
- of the ape in English theatrical tradition, 1580-1660 35 1-13
- On Caliban's Nature 43 35-42
Symbolism
- Macbeth, or the symbol of ineluctability 38 41-8
Synthesis
- Political Power and Ecclesiastical Power in Richard Hooker's Laws of Ecclesiastical Polity 49 15-22

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Tasso, Torquato
- Gerusalemme Liberata see Carew, Richard 13 1-13
Taylor, John (c. 1580-1653)
- A Precursor of Nonsense: John Taylor, the Water Poet (c. 1580-1653) 48 37-43
Text, dramatic
- `Else my project fails':Applause and the Authority of Shakespeare's Texts 44 23-31
Textual Analysis
- Spenser/Harvey corresp.
- of Drayton's Englands Heroicall Epistles 33 31-45
- of Henry V 33 53-5
- Dr Johnson on Shakespeare 33 23-30
- relating to Othello's marriage 34 79-82
- in Shakespeare's play texts 34 25-38
- of The Merchant of Venice 34 53-60
- of Shakespeare's use of the word `cause' 36 25-35
- and Nashe's The Anatomy of Absurditie 37 17-26
- Shakespeare's Richard III, Act I 37 59-68
- II.3.40-2: a crux in MM 37 69-72
- The Pragmatics of Politics: Casting in Henry IV and Henry V 38 9-24
- Macbeth, or the symbol of ineluctability 38 41-8
- A Chaste Maid in Cheapside and Women Beware Women: feminism, anti-feminism, and the limitations of satire 39 29-39
- Words read--words said. So, so. (II.3.129) 40 21-30
- Titus Andronicus: Models of Textuality and Authorship 41 17-32
- The `Death' of Hermione: Tragicomic Dramaturgy in The Winter's Tale 43 43-56
- Malvolio's Dark Concupiscence 43 1-11
- `Ten little fabulae': Ovidian tales of love and metamorphosis in A Midsummer Night's Dream 45 21-31
- Lines, Circles, Letters, and Characters: The Conjuration of Tragedy 47 1-8
- Staging Modernity: Chapman, Jonson, and the Decline from the Golden Age 47 9-27
- `I find myself vnparadis'd': The Integrity of Daniel's Delia 48 1-15
- Shakespeare's Lucrece as Chaste Bee 49 51-7
Theatre
- theatrical metaphor in Hamlet; H.: man of the theatre 28 37-44
- Scrutiny of a Mask: a detailed account of Shakespeare's Troilus and Cressida as staged and performed by the RSC at The Swan, 23 April 1990 39 57-70
- Playing on Things as Well as Words: Antanaclasis on Screen and Stage 42 57-64
- `Else my project fails':Applause and the Authority of Shakespeare's Texts 44 23-31
- Theatre (community)
  - Chester Mysteries, Chester 1992 42 65-71
Theatricality
- The Integrated Design of Dr Faustus: An Essay in Iconoclasm 41 1-16
Thematic reading
- Macbeth, or the symbol of ineluctability 38 41-8
Theology
- St Paul's doctrine of justification by faith and Portia's strategy in MV 34 53-60
Tieck, Ludwig
- Ludwig Tieck as the Champion of Shakespeare's Apocrypha in Germany 48 45-51
Time
- performance t. and dramatic t. 33 47-51
Tobacco
- Dangerous American Substances in Jacobean England 46 1-7
Topothesias
- t. in Milton 16 45-58
Touring Players
- The Tempest on tour 40 31-6
Tourneur, Cyril
- The Revenger's Tragedy
  - "Had his estate been fellow to his mind": Ironic Stategies in The Revenger's Tragedy 42 37-48
Tracts
- Bathsua Makin's An Essay to Revive the Education of Gentlewomen in the Canon of Seventeenth-Century Educational Reform Tracts 44 45-51
Tragedy
- Antony and Cleopatra: an Ovidian Tragedy? 40 73-7
- Macbeth, or the symbol of ineluctability 38 41-8
- Shakespeare's Henry V: Towards the Problem Play 4217-35
- Lines, Circles, Letters, and Characters: The Conjuration of Tragedy 47 1-8
- King Lear and the Legacy of Dramatic Catastrophe 48 17-30
Tragicomedy
- comic irony in medieval t. 18 3-10
- The `Death' of Hermione: Tragicomic Dramaturgy in The Winter's Tale 43 43-56
Traherne, Thomas
- mythematics of infinity in the Poems and Centuries 28 61-71
Translation
- By Any Other Word? 41 33-8
- Ludwig Tieck as the Champion of Shakespeare's Apocrypha in Germany 48 45-51
Travel
- t. literature and Thomas Hoby 27 67-81
Traveller
- Thomas Hoby, a t. in Italy 27 67-81
Trickster
- the courtier as t. in Philip Massinger's The Duke of Milan 23 73-82
- archetype and character type in drama 27 43-51
- Lemot in Chapman's An Humourous Day's Mirth 32 3-11
Triumph
- folk customs in The Merry Wives of Windsor 27 27-41
Truth
- t., deception and acting in The Alchemist 23 61-71
- Truth and Decay in Shakespeare's Sonnets 47 43-53
Tudor
- T. myth, its defence by Richard White of Basingstoke 11 17-29
Turks
- A Precursor of Nonsense: John Taylor, the Water Poet (c. 1580-1653) 48 37-43
Twin (-souls)
- Purcell in Illyria 50 57-67
Tyranny
- Plutarch's Lives and R. Edwards' Damon and Pithias (friends as kings' best guard) 30 71-2
- tyrant duke of As You Like It 34 39-51
- `Death or Liberty': the fashion in shrouds [in Julius Caesar] 38 25-40

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Ulusoy, Mehmet
- All Their Yesterdays: A Note on the Alleged Contemporariness of War and Violence in Shakespeare 50 49-50
Utopia
- Eutopians as Christian Humanists in More's Utopia 28 17-22
- Hythlodaeus and Persona More: the narrative voices of U. 28 23-35
- u. views on marriage in Shakespeare 32 69-73
- `Alteration in a Commonwealth': Disturbing Voices in Caroline Drama 47 79-86

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Vanbrugh, John
- The Provoked Wife and Milton's Comus 19 89
Variation
Vaughan, Henry
- Silex Scintillans petrification and the living dead 25 87-109
Venice
- `Mori' sculptures in V. and Othello 33 57-8
Venus
- Venus and Mars: The Relationship of Love and War in Shakespeare 46 9-21
Vere, Edward de
- Shakespeare's Biography and the Media 50 45-8
Veronese
- Venus and Mars: The Relationship of Love and War in Shakespeare 46 9-21
Verse
- dramatic blank verse: social aspects of its changes 12 59-64
Vice
- and the diversity of Morality plays 28 3-15
- and F. Merbury's The Marriage of Wit and Wisdom 29 1-11
Violence
- All Their Yesterdays: A Note on the Alleged Contemporariness of War and Violence in Shakespeare 50 49-50
- A Brute Part: Julius Cæsar and the Rites of Violence 50 19-32
Voice
- Nashe's v. in The Anatomy of Absurditie 37 17-26
- narrative v. in Greene's Cony-Catching Pamphlets 37 9-15
Volpone
- The progress of Trickster in Ben Jonson's Volpone 27 43-51

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Walton, Izaak
- The Compleat Angler attitudes towards money 9 41-54
War
- Venus and Mars: The Relationship of Love and War in Shakespeare 46 9-21
- All Their Yesterdays: A Note on the Alleged Contemporariness of War and Violence in Shakespeare 50 49-50
Watson, Thomas
- the influence of Petrarch's Il Canzoniere (Part II) on Marlowe in his preface to Amintæ gaudia 29 13-15
Webster, John
- and scholarship 10 45-63
- sickness and physic in plays by Middleton and W. 26 41-78
- The Duchess of Malfi
  - dramatic form, cosmic perspective and alienation 27 1-16
  - love and madness in DM, and other plays 27 85-7
  - the nightmare world of 27 53-66
Wedding
- Marriage and Masque in Middleton's Women Beware Women 42 49-55
Weston, Elizabeth Jane (Westonia),
- new interpretation of her autobiographical obituary poem Parthenicon 37 1-8
Whetstone, George
- `Rinaldo and Giletta' first Elizabethan prose romance 14 3-8
White, Richard (of Basingstoke)
- defence of the Tudor myth 11 17-29
Whitney, Geoffrey
- Emblemes, 1586 and Elizabethan stage craft 29 39-51
Whitney, Isabella
- and the popular miscellanies of Richard Jones 19 85-7
Wilmot, John
- Facsimile edn. of MS collection of poems largely by 22 51-86
Wind
- w. and carnival symbolism 32 13-35
Wisdom
- in F. Merbury's The Marriage of Wit and Wisdom 29 1-11
Wit
- fox and w. imagery and episcopal propaganda 29 83-6
Women
Word Play
- A Precursor of Nonsense: John Taylor, the Water Poet (c. 1580-1653) 48 37-43
World (inverted)
- Purcell in Illyria 50 57-67
Wrestling
- symbolic w. in As You Like It 34 39-51

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York Cycle of Mystery Plays
- in performance 13 49-52

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