The Book of Wonders of Nicolas Monardes of Seville Don BEECHER 1 Abstract Résumé
Deciphering Classical Mythology in Renaissance Drama: Questions of Methodology Yves PEYRÉ Abstract Résumé 15
Pro Patria Mori--War and Power in the Henriad Jean-Christophe MAYERAbstract Résumé 29
Double Endings and Autonomous Acts: A Feature of Shakespearian Design Robert WILCHERAbstract Résumé 47
Gazing Through the Peephole of Rhetoric: Shakespearean Trompe-l'œil Then and Now Patricia DORVALAbstract Résumé63
Plays
Everyman, dir. Kathryn Hunter and Marcello Magni, RSC, The OtherPlace, Stratford, Nov. 96 (Greg Walker) 77
The Oregon Shakespeare Festival, 1996 Romeo and Juliet, dir. René Buch, Aug. 96 (William T.Liston) 79
Coriolanus, dir. Tony Taccone, Aug. 96 (William T. Liston) 81
Books
"Une critique est une critique est une critique...". A propos d'une critique des traductions: John Donne d'Antoine Berman (Review Article) (Jacky MARTIN)Abstract Résumé 93
Virginia Mason VAUGHAN, "Othello": A ContextualHistory, Cambridge University Press (Cambridge, 1994) (A.J. Hoenselaars) 101
Laura Hunt YUNGLBUT, Strangers Settled Here Amongst Us: Policies, Perceptions and the Presence of Aliens in Elizabethan England,Routledge (London & New York, 1994) (A.J. Hoenselaars) 104
Stephen ORGEL, Impersonations: The Performance of Gender inShakespeare's England, Cambridge University Press (Cambridge, 1996) (Peter J. Smith)106
Yoshiko UÉNO, Hamlet and Japan, AMS Press (New York, 1995) (LoisPotter) 107
Philip C. Kolin, editor,'Titus Andronicus': Critical Essays, GarlandPublishing (New York & London, 1995) (Stanley Wells) 109
A Subject Index to Cahiers élisabéthains Numbers41-50 (compiled by Angela Maguin) 133
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