Printing and Paratext in Seventeenth-Century England: The Oxford and Cambridge Presses James W. BINNS 1-10 Abstract Résumé
Five-Act Structure and the Choruses in Henry V George WALTON WILLIAMS 11-17 Abstract Résumé
A Brute Part: Julius Cæsar and the Rites of Violence Richard WILSON 19-32 Abstract Résumé
The Question of Place Brian GIBBONS 33-43 Abstract Résumé
Shakespeare's Biography and the Media Stanley WELLS 45-8 Abstract Résumé
NOTES
All their Yesterdays: A Note on the Alleged Contemporariness of War and Violence in Shakespeare Pierre SAHEL 49-50 Abstract Résumé
THE THEATRE
Shakespeare's German Players (Review Article) Teresa O'CONNOR 51-6 Abstract Résumé
Purcell in Illyria (Review Article) Raymond GARDETTE 57-67 Abstract Résumé
REVIEWS Plays
A Midsummer Night's Dream, dir. Matthew Lloyd, Haymarket Theatre, Leicester, Feb., 1996 (Greg Walker) 69-71
As You Like It, dir. Simon Phillips for Sydney Theatre Company, DramaTheatre, Sydney Opera House, Jan. 1996 (Peter J. Smith) 72-3
1996 RSC Spring/Summer Season, Stratford-upon-Avon
The White Devil, dir. Gale Edwards, RSC, Swan, Stratford, April 1996 (Peter J. Smith) 73-5
The Herbal Bed, by Peter Whelan, dir. Michael Attenborough, RSC, The Other Place, Stratford, June 1996 (Peter J. Smith) 75-7
As You Like It, dir. Steven Pimlott, RSC, Royal ShakespeareTheatre, Stratford, April 1996 (Greg Walker) 77-9
The Comedy of Errors, dir. Tim Supple, RSC, The Other Place,Stratford, July 1996 (Greg Walker) 79-82
Troilus and Cressida, dir. Ian Judge, RST, Aug. 1996 (AngelaMaguin) 82-3
Macbeth, dir. Tim Albery, RST, Aug. 1996 (Angela Maguin) 83-4
The Merchant of Venice, dir. Marti Maraden, Avon Theatre, Stratford,Ontario, June 1996 (William T. Liston) 87-8
King Lear, dir. Richard Monette, Stratford, Ontario, June 1996 (William T. Liston) 88-9
Tout est bien qui finit bien, mise en scène deJean-Pierre Vincent, Nanterre-Amandiers, mars 1996 (Guy Boquet) 94-6
Peines d'amour perdues, mise en scène Jean-ClaudePenchenat, Théâtre du Campagnol, Centre Dramatique National de Corbeil-Essonnes, février 1996 (Guy Boquet) 96-8
Périclès, adaptation et mise en scèneMichel Dezoteux, Théâtre Varia de Bruxelles, Théâtre de Saint-Quentin-en-Yvelines, mai 1996 (Guy Boquet)99
Hamlet, mise en scène de Daniel Mesguich,Théâtre National Lille Tourcoing Roubaix Région Nord-Pas de Calais, juin 1996 (Guy Boquet)99-102
Le Songe d'une nuit d'été, mise en scène deChristophe Lidon, Ranelagh, Paris, juin 1996 (Guy Boquet) 102-03
Les Deux Gentilshommes de Vérone, adaptationd'Adel Hakim, scénographie Nathalie Oger, Groupe 29 (3e année) de l'École du Théâtre National de Strasbourg, Théâtre de l'Aquarium (Cartoucherie), Paris, 24 juin 1996 (Guy Boquet) 103-05
Twelfth Night, mise en scène: Francis Guinle,Théâtre Lumière, Lyon, Villa Gillet, Lyon, mars 1996; and Théâtre de l'Iris, Villeurbanne, mai 1996(Jacques Ramel) 105-07
Stanley WELLS (ed.), Shakespeare Survey 48: Shakespeare and Cultural Exchange, Cambridge University Press (Cambridge, 1995), (Peter J. Smith) 109-13
Edward PECHTER, What Was Shakespeare? Renaissance Plays and Changing Critical Practice, Cornell University Press (Ithaca & London, 1995) (Peter J. Smith) 113-15
Alison FINDLAY, Illegitimate Power: Bastards in Renaissance Drama, Manchester University Press (Manchester & New York, 1994) (Peter J. Smith) 115-18
Clive HART & Kay Gilliland STEVENSON, Heaven and the Flesh: Imagery of Desire from the Renaissance to the Rococo, Cambridge University Press (Cambridge, 1995).(Peter J. Smith) 118-20
Peter J. SMITH, Social Shakespeare: Aspects of Renaissance Dramaturgy and Contemporary Society, Macmillan (London, 1995) (Terence Hawkes) 120-22
Duncan SALKELD, Madness and Drama in the age of Shakespeare, Manchester University Press (Manchester and New York, 1994) (Alison Findlay) 122-4
Quentin SKINNER, Reason and Rhetoric in the Philosophy of Hobbes, CUP (Cambridge, 1996).(Luc Borot) 124-6
Yves Charles ZARKA, Hobbes et la pensée politique moderne., Collection Fondements de la politique, PUF (Paris, 1995) (Luc Borot) 127-9
Brendan BRADSHAW, Andrew HADFIELD, and Willy MALEY, editors, Representing Ireland: Literature and the Origins of Conflict,1534-1660, CUP (Cambridge, 1993) (Christopher Ivic) 129-31
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