CAHIERS ÉLISABÉTHAINS
Late Medieval and Renaissance English Studies
Number 47 April 1995

CONTENTS

From the Editors. Policy p.iii

Guest Contributors p.iv

Abstracts p.v

ARTICLES

• Frédéric PEYRÉ : Lines, Circles, Letters, and Characters: The Conjuration of Tragedyp.1 abstractrésumé
• Peter K. AYERS : Staging Modernity: Chapman, Jonson, and the Decline from the Golden Age p.9 abstractrésumé
• A.J. HOENSELAARS : The Elizabethans and the Turk at Constantinople p.29 abstractrésumé
• James DAWES : Truth and Decay in Shakespeare's Sonnets p.43 abstractrésumé
• Stephen M. BUHLE : 'By the Mass, our hearts are in the trim': Catholicism and British Identity in Olivier's Routledge p.55 abstractrésumé
• M. NOSTBAKKEN : Rowley's When You See Me You Know Me: Political Drama in Transition Faith p.71 abstractrésumé
• Michel BITOT : 'Alteration in a Commonwealth': Disturbing Voices in Caroline Dramap.79abstractrésumé

NOTES

• Who Called F1 Best First? A Note on Shakespeare's First Folio in the Eighteenth Century Bernice W. KLIMAN p.87abstractrésumé

REVIEWS Plays

• Shakespeare at the Stratford Festival, Ontario, 1994
  • Othello, dir. Brian Bedford, July 94 (William T. Liston) p.93
  • Hamlet, dir. Richard Monette, July 94 (WTL) p.95
  • Twelfth Night, dir. Richard Monette, July 94 (WTL) p.96
  • The Tempest, dir. Bill Alexander, Birmingham Rep, Sept. p.94 (Peter J. Smith) p.98
  • Hamlet, dir. Peter Hall, Derngate, Northampton, Oct. 94 (PJS) p.100

• 1994-95 RSC Autumn/Winter Season at Stratford-upon-Avon
  • The Broken Heart, dir. Michael Boyd, Swan, Jan. 95 (Greg Walker) p.102
  • Measure for Measure, dir. Stephen Pimlott, RST, Jan. 95 (J.-M. Maguin) p.105
  • Measure for Measure, dir. David Thacker, BBC TV, autumn 94(Angela Maguin) p.108
  • Romeo and Juliet, dir. Eric Baniel and Fouad Awad, La Métaphore,Lille, Oct. p.94 (Anny Crunelle-Vanrigh) p.110
  • Le livre de Spencer, dir. Luis Pasqual, Odéon-Théâtre de l'Europe, Paris, Oct. 94 (Guy Boquet) p.112
  • King Lear-Prospero, ballet de Maurice Béjart, Théâtre de Chaillot, Oct. 94 (GB) p.113

  • The Merchant of Venice, dir. Peter Sellars, Bobigny, Dec. 94 (GB) 115

  • La vie criminelle de Richard III, Gabor Rassov (d'après Shakespeare), dir. Pierre Pradinas, Le Chapeau Rouge, Trianon, Paris, Dec. 94 (GB) p.116
  • Antoine et Cléopâtre, dir. Pascal Rambert, Side One-Posthume Théâtre,

    Bobigny, Jan. 95 (GB) p.116

  • As You Like It, dir. Declan Donnellan, Cheek by Jowl, Bouffes du Nord,Jan. 95 (GB) p.117
  • Dr Faustus, dir. Stuart Seide, Centre dramatique Poitou-Charentes,Théâtre de la Ville, Paris, Jan. 95 (GB) p.119
  • Le Songe d'une nuit d'été, dir. Denis Llorca, CentreCulturel Jean Houdremont, La Courneuve, Paris, Jan. 95 (GB) p.121
  • Corps, by Adel Hakim (after Macbeth), dir. Adel Hakim,Théâtre d'Ivry, Jan. 95 (GB) p.123
  • Le Roi Arthur, Henry Purcell/Wm Dryden, Les Arts Florissants, dir. WmChristie, Châtelet, Paris, Jan. 95 (GB) p.124

REVIEWS Books

• Romy Heylen, Translation, Poetics, and the Stage: Six FrenchHamlets,Routledge (1992) (François Maguin) p.127
• Douglas Bruster, Drama and the Market in the Age of Shakespeare,CUP (1992) (James L. Helm) p.135

BOOKS RECEIVED

REVIEWS Records

• J. Dowland, The First Book of Ayres, John Elwes, tenor, MatthiasSpaeter, luth. Disques Pierre Verany (1994) (Pierre Iselin) p.145

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